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Tuesday, May 12, 2026

Read my review of Sarah’s Destiny by Vicky Adin #HistoricalFiction #VictorianWomen #BlogTour #TheCoffeePotBookClub @cathiedunn


Sarah’s Destiny
By Vicky Adin

Young Sarah Daniels is the heart, soul and future of The White Hart Inn on the Welsh Back. Alongside the quay and wharves on Bristol’s floating harbour, she dreams of finding love, and a destiny where she can escape the drudgery and tragedy that life usually delivers Victorian women. But dreams are free, and few share her ideals. When reality strikes, and Sarah learns the hard way that life is unkind, one man offers her hope.

Through many decades of heart-aching loss, false promises and broken dreams, the young widow clings to that one hope. With six children to care for, she takes risks few others would consider. She breaks conventions and makes sacrifices to keep that hope alive.

Will her wishes come true, or is she destined to be another unfortunate in the sea of many?


Pages: 354
Genre: Historical Fiction, Women’s Historical Fiction

Grab a copy HERE!
This novel is free to read with #KindleUnlimited subscription.

MY THOUGHTS

Sarah Daniels has been working at The White Hart Inn for as long as she can remember. With her father as landlord, and her mother in the kitchen, they have always worked together as a family. But, with her parents aging, and her mother often struck down with melancholy, the workload has steadily increased until Sarah is indispensable, running the Inn like a well oiled machine.

When she catches the eye of John Clements, she begins to feel things that she has to turn to her sister for explanations about. The fluttering inside of her when he is ashore, seeking her out to talk to her, flirt with her, is an entirely new feeling, but one that she is more than willing to explore. Soon, with a baby on the way and John back out to sea, Sarah learns that life will not be as easy as she imagined, and that the hard work she has always been used to is about to get a whole lot harder.

I loved Sarah from the very beginning of this book. She is a hard worker, incredibly loyal to her family, and more than willing to step up and take responsibilities when necessary. However, as much as her family are her whole life, they are also sometimes the reason for her struggles. Her mother is prone to attacks of melancholy, still mourning the loss of children who never had a true chance at life, and often takes to her bed, leaving the kitchen in the more than capable hands of Molly, who has worked in the kitchen of The White Hart Inn for years. For Sarah, though, it only increases her workload as she runs back and forth between the bar, the kitchen, and caring for her mother. With the added responsibilities of children, it seems almost impossible for Sarah to continue working as much as she does but, somehow, she manages.

As with many books set in this era, if there is an opportunity for things to go wrong, they will. Sarah fights more than her fair share of battles, trying to keep the Inn open, under her control, and profitable. Keeping her family in line is another issue altogether, and her love life takes more than one drastic turn. There are some unsettling scenes in this novel, when Sarah suffers at the hands of one who is supposed to love and cherish her, as well as some devastating losses, which almost brought me to tears a few times. This book is so captivating, Sarah felt like a dear friend to me as I read, and I only wanted to be able to step into the book and help her, be a friend she could talk to, and help to look after her children so that she could complete all the daily tasks she takes upon herself. 

This book follows Sarah for many years, and you get to watch her grow during the course of the novel, from a young adult, in search of life’s joys, to a mature mother, wife, and landlady. Her family is a tricky situation for her, as she is tied to them inexplicably, and would do anything to help and care for her family, but they also bring her down. As her mother’s condition deteriorates, things become strained and tense, but it is difficult to truly blame her mother for any of the things she says or does, for it is out of her own control. The characters in this novel have been crafted wonderfully, and truly feel real. Names of the past have been brought back to life in this book, and, although fictionalised, this novel does feel completely biographical with how in-depth and emotional it is. To think that these people, however fictionalised their lives have been, truly lived over a century ago, and that they have been resurrected in this story is enough to make you feel even closer to them while reading.

The author has done an absolutely fabulous job at creating a story that you truly want to read, and absolutely don’t want to put down. In Sarah, a worthy heroine and protagonist is created, and she feels so real, it makes the highs of the novel even more joyful, and the lows even more heartbreaking. This is a novel that makes you feel, and one that I will absolutely be reading again and again. At times, I almost felt like I was reading a Catherine Cookson novel, the story so compelling and almost timeless. This is certainly an author I will be looking for more books by. 


Like the characters in her books, Vicky has a passion for family history and a love of old photos, antiques, and treasures from the past. After researching the history of the time and place, and realising the hardships many people suffered, Vicky knew she wanted to write their stories. Tales of love and loss, and triumph over adversity. Her latest release, Sarah’s Destiny, Book 1 of The Ancestors series, is inspired by a true love story set in Bristol.

Vicky particularly enjoys writing inter-generational sagas, inspired by true stories of early immigrants to New Zealand, linked by journals, letters, photographs, and heirlooms.

She’s an avid reader of historical novels, family sagas and women’s stories and loves to travel when she can. She has a MA(Hons) in English and Education. Her story of Gwenna won gold in The Coffee Pot Book Club Women’s Historical Fiction Book of Year in 2022 and several of her books carry the gold B.R.A.G medallion.


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Thursday, May 7, 2026

Have a look at That Catskill Summer by Bart A. Charlow #HistoricalRomance #LiteraryRomance #TheCoffeePotBookClub #YardeBookPromotions @cathiedunn @maryanneyarde


That Catskill Summer 
By Bart A. Charlow


He wrote the book he lived. Now she wants to rewrite the ending.

For fans of the 1960s Catskills era of Dirty Dancing, this is a very different kind of love story.

Author Aaron Ben-Ami’s steamy novel, based on a failed youthful love affair in the "Summer of Love" Borscht Belt, is a sensation. Love was easy to come by in the resort culture of the early sexual revolution, but not so easy to keep. Now, as his story is being made into a movie starring Isobel “Izzy” Sandler, the past and present are about to collide.

Ironically, it was a chance meeting with Izzy that inspired Aaron to write the book in the first place—she was his muse. But as they grow close during filming, Izzy discovers the raw truth behind the fiction. She is the granddaughter of Elyse, the real woman who modeled for the novel’s lead—and Aaron's greatest "what if".

Set against the richly textured backdrop of a disappearing American era, That Catskill Summer is a story of what we miss in the moment and what stays with us long after. It is a journey through the humor, the heat, and the heartbreak of youth, told through the reflective eyes of someone who survived it.


Perfect for readers of emotionally rich, time-layered fiction who value reflection over resolution – and those who believe that a single summer can define a lifetime.


Pages: 318
Genre: Historical Romance, Literary Romance

Grab a copy HERE!


Bart A. Charlow is an author, consultant, and retired therapist whose writing explores the intricate intersections of memory, legacy, and the human heart. With over 45 years as a visual artist and photographer, Bart brings a painterly eye to his prose, capturing the atmospheric beauty and lingering shadows of the people and places that shape us.

Born into the carnival life of a Borscht Belt Catskills hotel family, he has never let the ordinary constrain him.

His first book, A Catskill Carnival: My Borscht Belt Life Lived, Lost and Loved, is a memoir of his early years in a unique setting, coming to terms with it and cherishing its life lessons. Pickle Barrel Tales: More Borscht Belt BS is the companion book of over 50 wry vignettes from several “mountain rats”.

A true son of the Catskills, Bart’s deep connection to the "Borscht Belt" Dirty Dancing era serves as the foundation for his storytelling. His novels delve into the complex emotional landscapes of mature characters, often focusing on the ways the past refuses to stay buried and how new love must contend with old ghosts. His latest series is “Lived-In LoveTM”, dedicated to telling realistic relationship stories with deep emotional connections, not the usual tropes.

Whether through a camera lens, a paintbrush, or the written word, Bart is dedicated to capturing the "circus of memories" that defines the mature experience.

He writes a regular column, “Bart on Art”, for The San Mateo Daily Journal.

Bart has been a favored speaker on TV, radio and in print media for decades and is recognized for his service in the United States Congressional Record.

Among honors he holds is the Jefferson Award for his community leadership and service.

He lives in the San Francisco Bay Area with his wife, grown children and grandchildren.


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Monday, May 4, 2026

Read an interview with Rachel Elwiss Joyce, author of Lady of Lincoln #MedievalFiction #WomenInHistory #LincolnCastle #HistoricalFiction @RachelElwJoyce @cathiedunn

Lady of Lincoln
By Rachel Elwiss Joyce
Narrated by Sarah Kempton

A true story. A forgotten heroine. In a time when women were told to stay silent, could she become the saviour her people need?

12th-century England. Nicola de la Haye wants to do her duty. But though she’s taught a female cannot lead alone, the young noblewoman bristles at the marriage her father has arranged to secure her inheritance. And when an unexpected death leaves her unguided, the impetuous girl shuns the king’s blessing and weds a handsome-but-landless knight.

Harshly fined by Henry II for her unsanctioned union, Nicola struggles to salvage her estates while dealing with devastating betrayals from her husband… and his choice to join rebels in a brewing civil war. Yet after averting a tragedy and gaining the castle garrison’s respect, she still must face the might of powerful men determined to crush her under their will.

Can she survive love, threats, and violent ambition to prove she’s worthy of authority?

In this carefully researched and vividly human series debut, Rachel Elwiss Joyce showcases the complex themes of honour, responsibility, and freedom in the story of a remarkable heroine who men tried to erase from history. And as readers dive into a world defined by violence and turmoil, they’ll be stunned by this courageous young woman’s journey toward greatness.

Lady of Lincoln is the gritty first book in the Nicola de la Haye Series historical fiction saga. If you like richly textured female heroes, courtly drama, and fast-paced intrigue, then you’ll adore Rachel Elwiss Joyce’s gripping true-life tale.


Pages: 462
Genre: Medieval Historical Fiction / Historical Biographical Fiction

Grab a copy HERE!
This novel is free to read with #KindleUnlimited subscription.

INTERVIEW

Writing Interview Questions

Why did you choose to write your book in this era?

I’ve always loved historical fiction, especially stories set in the medieval, Tudor, and prehistoric periods. I’d had the idea for some time of writing a novel set in Lincolnshire, where I have ancestral links, but the real spark came during the COVID pandemic, when we took a staycation there and visited Lincoln Castle. 

That was where I first heard Nicola de la Haye’s remarkable story. The moment I learned about this extraordinary woman who defended Lincoln Castle and played such a vital role in England’s history, I knew I had to write about her.

Did you find researching this era particularly difficult? What was the hardest thing to find out, and did you come across anything particularly surprising?

Some aspects of the research were relatively straightforward, although still very time-consuming. There are excellent nonfiction books, academic articles, blogs, and online resources covering the wider period, and I devoured everything I could find about Henry II, the Angevin Empire, medieval Lincoln, castle life, village life, and the lives of medieval women.

The harder challenge came with the personal and local detail. Nicola de la Haye is famous in outline, but many aspects of her early life, family relationships, and first marriage are much less well documented. 

Sir Francis Hill’s out-of-print book Medieval Lincoln was invaluable. He gathered an extraordinary amount of local material, including possible family trees for notable Lincoln townspeople, and it helped bring the city itself to life. A recent archaeological study and publication on the medieval layout of Lincoln Castle was also invaluable. 

The most difficult discoveries were often hidden in obscure places. Most historians say very little is known about Nicola’s first husband, but I found references to his family tree on a niche academic website, then spotted his name, often unindexed, in chronicles and in Henry II’s itinerary. I also used translation software to work through French and Norman sources relating to castles, abbeys, and family connections, including for example Blancheland Abbey, where Nicola’s father was buried.

What surprised me most was how much family conflict and political tension emerged once I started digging. I hadn’t expected to find possible divisions within Nicola’s own family during the Anarchy, or intriguing connections to the world surrounding Thomas Becket’s murder. Those discoveries gave the story far richer emotional and political layers than I had first imagined.

Can you share something about the book that isn’t covered in the blurb?

Although Nicola is at the heart of the novel, the story opens out into the wider world of Henry II’s reign, spanning England, Normandy, and other parts of the Angevin Empire.

One thread I found especially fascinating was medieval Lincoln’s Jewish community. Aaron of Lincoln, probably the wealthiest non-royal person in medieval England, appears in the book, along with his daughter Bella and her husband, Berechiah ha-Nakdan, also known as Benedict of Oxford, a real scholar associated with the Fox Fables.

There is also a scene involving an antisemitic mob that has tragic consequences for Nicola. The leader of that mob was a real Lincoln merchant who was recorded as being fined for his part in a later antisemitic riot. I wanted the book to show not only the grandeur and danger of noble life, but also the tensions within the town itself.

And, as I discovered during the research, Nicola’s family history may have had unexpected links to the political world around Thomas Becket’s murder. That was one of those moments when the research suddenly opened a door I hadn’t known was there.

If you had to describe your protagonist(s), in three words, what would those three words be and why?

Tenacious. Compassionate. Formidable.

Nicola is tenacious because she refuses to be broken by the expectations placed upon her. She is compassionate because, beneath her strength, she cares deeply about the people who depend on her. And she is formidable because, when pushed, she is capable of standing against powerful men and impossible odds.

What was the most challenging part about writing your book?

The most challenging part was building enough historical depth before I began writing. I didn’t just research the specific years covered by this first novel, which covers her early adult life; I researched Nicola’s entire life, as well as the fifty years before and after it, so I could understand the world that shaped her external and internal life and the legacy she left behind.

That meant exploring the Angevin Empire, medieval Lincoln, noblewomen’s lives, village communities, castle households, Jewish-Christian relationships, and the political crises of the twelfth and thirteenth centuries. It was a mammoth task, but it helped me feel that Nicola and the other characters, their motivations and their personalities, were authentic and rooted in a real, living world rather than simply placed against a historical backdrop.

Of course, the danger of research is that new discoveries sometimes arrive after you think you’ve finished. More than once, I found something that forced me to rethink a scene, a motivation, or even a relationship, but those moments usually made the story even stronger.

Was there anything that you edited out of this book that would have drastically affected the story, should it be left in?

Nothing that would have drastically changed the story. I did reduce the overall word count after the first couple of drafts to improve the pacing and sharpen the emotional through-line, but I didn’t remove any major scenes or planned storylines.

What are you currently working on?

I’m currently editing the second Nicola de la Haye novel, Lady of the Castle, while the third book, Lady of England, is with its first beta reader.

I also have another novel set in Saxon England, which was actually the first novel I wrote. I’m planning to return to that soon with a pair of fresh eyes and a huge amount of experience – I really love the characters in that story!

What would you tell an aspiring author who had some doubts about their writing abilities?


Read widely, immerse yourself in stories, and study the craft, but don’t wait until you feel completely ready, because most writers never do.

Find a story you are passionate about, set a date to begin, and start. The first draft doesn’t have to be perfect; it just has to exist. Feedback is important, but try to get it from people who understand and enjoy the kind of story you are trying to write. The wrong feedback can knock your confidence, while the right feedback can help you grow.

Above all, keep going. Confidence often comes after the writing, not before it.


Personal Interview Questions

What do you like to do when you are not writing?

I love visiting historic sites. We’re members of English Heritage, and I particularly enjoy their special member days, when you sometimes get access to places or stories you might otherwise miss.

Walking is also a real passion, especially with my dog and writing buddy, Griffin. A good walk often helps me untangle plot problems, although Griffin is more interested in smells than story structure and we have to stop many, many times along the way!

What did you want to be when you grew up?

At various points I wanted to be a train driver, a Native American chief, and an Egyptologist! I eventually went into the sciences, but history and stories were always there in the background.

Even as a child, I wrote about princesses in castles and children who travelled back in time. So perhaps I’ve ended up doing something very close to what I loved all along.

What’s for dinner tonight? What would you rather be eating?

I’m currently at a writing retreat, so I’m being thoroughly spoiled and eating far too much. We had tuna Niçoise for lunch, followed by rhubarb and custard, and tonight I’m going to watch the host use his impressive Aga/Ironworks outdoor hotplate barbecue to make chicken tikka.

Usually my meals are much simpler, so I’m enjoying every minute of it. I don’t think I’d rather be eating anything else tonight!

What would be a perfect day?

A sunny walk around a historic site I haven’t visited before, with my family and dog. Ideally, I’d learn something new, spot some wildlife, and find myself imagining the people and events of the past playing out around me.

Then I’d finish the day with a great roast dinner in a local pub. History, countryside, family, dog, and good food is a combination that’s hard to beat.

What is the best part of your day?


I wake up at 5.30 most mornings, make coffee, and read. There’s no pressure at that time of day, no rush, just pure immersion in a book before the world properly begins.


Either or!

Tea or coffee: Coffee in the morning, tea in the afternoon.

Hot or cold: Hot and dry when I’m reading. Cold is fine when I’m wrapped up in layers and walking the dog.

Movie or book: Book — or a good TV series, because I love having time for characters to develop.

Morning person or night owl: Definitely morning.

City or country: Country for me, city for my husband — so we compromise by living on the edge of a town, close to plenty of greenery.

Social media or book: Book, every time.

Paperback or ebook: Ebook, because I can adjust the font — and because my bookshelves are already full to bursting.


After a rewarding career in the sciences, Rachel returned to her first love—history and the art of storytelling. Fascinated by the women history neglected, or tried to forget, she creates meticulously researched, emotionally resonant fiction that brings her characters’ stories vividly to life.

Her fascination with the past began early. At six years old, she was already inventing tales about medieval women in castles, inspired by her treasured Ladybird books and other picture-rich stories that transported her to another time. By the time she discovered Katherine by Anya Seton as a teenager, she knew the joy and escape that only great historical fiction can bring.

Rachel’s two grown-up children still tease her (fondly) about childhoods spent being “dragged” around castles, archaeological sites, and historical re-enactments. For Rachel, history and imagination have always gone hand in hand.

There was, however, a long gap between the stories of her childhood and her decision to write her own novel. The spark came when she discovered the remarkable true story of Nicola de la Haye—the first female sheriff of England, who defended Lincoln Castle against a French invasion and became known as “the woman who saved England,” Rachel knew she had found her heroine, and a story she was destined to tell.

Rachel lives in the UK, where she continues to explore the lives of women who shaped history but were left out of its pages.


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Friday, May 1, 2026

Read about The Jewish Ghetto in Shanghai by Deborah Swift, author of The Enemy's Wife #TheEnemysWife #HistoricalFiction #WW2 #Shanghai @swiftstory @cathiedunn


The Enemy’s Wife 
By Deborah Swift

'A fast-paced, beautifully written, and moving story. Refreshing to read a book set in a different theatre of war. Wartime Shanghai jumped off the page' CLARE FLYNN

A poignant story of the impossible choices we make in the shadow of war, for fans of Daisy Wood and Marius Gabriel. 

1941. When Zofia’s beloved husband Haru is conscripted into the Imperial Japanese Army, she is left to navigate Japanese-occupied Shanghai alone.

Far from home and surrounded by a country at war, Zofia finds unexpected comfort in a bond with Hilly, a spirited young refugee escaping Nazi-occupied Austria.

As violence tightens its grip on the city, they seek shelter with Theo, Zofia’s American employer. But with every passing day, the horrors of war and Haru’s absence begin to reshape Zofia’s world – and her heart.

Can she still love someone who has become the enemy?


Readers love The Enemy's Wife:

'A gorgeous novel that will truly pull at your heartstrings' CARLY SCHABOWSKI

'I loved The Enemy’s Wife – a gripping, fast-paced and evocative story about the Japanese occupation of Shanghai during WW2 – and really rooted for the brave and selfless central character, Zofia. Highly recommended' ANN BENNETT

'Such an emotional and moving read, grounded in immaculate research that never overshadows the heart of the story' SUZANNE FORTIN

Page Length: 380
Genre: Historical Fiction 

Grab a copy HERE!

The Jewish Ghetto in Shanghai

By Deborah Swift 

“Shanghai was a strange refuge—alien, chaotic, yet a place of survival.”

Ernest G Heppner

In the early 1940s, as Jews like my main character Zofia, tried to escape Nazi-controlled Europe, most countries closed their borders. However, Shanghai remained an open port city, and between about 1938 and 1941, nearly 20,000 Jewish refugees, mainly from Germany and Austria, arrived there. Many settled in the area called Hongkew, a poor, already crowded district that had been heavily affected by earlier bombing and fighting.

At the time of my novel, Japan had occupied Shanghai except for some foreign-controlled areas like the International Settlement. Following Japan’s alliance with Nazi Germany, pressure increased to restrict Jewish refugees. The Japanese authorities established what they officially called the Restricted Sector for Stateless Refugees. This is what we now refer to as the Shanghai Jewish Ghetto. Within the ghetto they needed permits to leave, but unlike Nazi ghettos in Europe, this was not an extermination camp, and there was no systematic mass murder policy.

Life in the Ghetto

Most refugees arrived with little or nothing and were housed in overcrowded houses and or subdivided rooms, often with multiple families sharing a single space. These buildings were badly maintained having been damaged from earlier fighting in the Second Sino-Japanese War, and had few facilities. There was little heating in winter, intense heat in summer, limited clean water, and privacy was almost non-existent. Some Jewish writers used a Yiddish expression to describe Shanghai: shond khay, "a shame of a life." 

Despite these harsh conditions, the Jewish community were intent on survival and built for themselves a functioning society – Schools, newspapers, and theatres were established and many refugees recreated a semblance of European cultural life. Despite restrictions, a small internal economy developed and refugees opened cafés, bakeries, tailoring shops, and repair services. Money was scarce, so bartering was very common. Newspapers and newsletters circulated within the community, and lectures, concerts, and literary events were held. This wasn’t just entertainment – it was psychological survival. Maintaining culture helped people cope with exile and uncertainty.

The uncertainty of being in a war zone cannot be underestimated. The ghetto suffered from bombing raids, after the Attack on Pearl Harbor. In 1945 U.S. bombing raids hit Hongkew, causing casualties among civilians, including Jewish refugees.

Integration with the Chinese Community

Hongkew was already home to many poor Chinese families before the refugees arrived, so the two communities were forced to live lived side by side, often sharing the same hardships. These two underclasses developed cooperation and mutual understanding, since both groups suffered under the brutal Japanese occupation. 

The Chinese were considered to be lower than animals in the estimation of the Japanese army and were treated like slave labour. After 1943, when the Japanese created the restricted zone, all movement was monitored, passes were needed to go anywhere, and curfews and regulations controlled all routines. Punishment for disobeying the Japanese was violent and uncompromising and could lead to imprisonment or death.

The ghetto effectively ended with Japan’s defeat in 1945 and the conclusion of World War II. The entry of US troops into Shanghai was a double-edged sword – both jubilation that the Japanese were defeated, but also the news of the fate of their relatives in the Holocaust. Most refugees had heard nothing since the spring of 1941 from the families they had left behind in occupied Europe. And the long business of tracing them would take far more time.

Those lucky enough to live in the ghetto remember it as a place where, however harsh it was, at least they could survive.

The Enemy’s Wife tells the story of Zofia and her friend Hilly who live in the ghetto at the beginning of the novel, before fate takes them into the larger landscape of occupied China.



Deborah used to be a costume designer for the BBC, before becoming a writer. Now she lives in an old English school house in a village full of 17th Century houses, near the glorious Lake District. Deborah has an award-winning historical fiction blog at her website www.deborahswift.com.

Deborah loves to write about how extraordinary events in history have transformed the lives of ordinary people, and how the events of the past can live on in her books and still resonate today.

Her WW2 novel Past Encounters was a BookViral Award winner, and The Poison Keeper was a winner of the Wishing Shelf Book of the Decade.


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Read an excerpt from Infidel: The Daughters of Aragon (Six Tudor Queens) by Nicola Harris #CatherineOfAragon #HistoricalFiction #TudorHistory #YardeBookPromotions @maryanneyarde @harris_nic59544


Infidel: The Daughters of Aragon 
(Six Tudor Queens)
By Nicola Harris

Born in the glittering courts of Castile and Aragon and forged in the shadow of war, Catalina de Aragón grows up surrounded by queens, rebels, and explorers. She is her mother’s last daughter, the final jewel of a dynasty built on conquest and faith, and the one child Isabella of Castile cannot bear to lose.

But destiny has already claimed Catalina.

Promised to Prince Arthur of England since childhood, she is raised to bind kingdoms, soothe old wounds, and carry the hopes of an empire across the sea. Yet, Spain fractures under rebellion, grief, and the ruthless zeal of its own rulers.

From the burning streets of Granada to the stormlashed Bay of Biscay, Catalina and her sisters must navigate a treacherous path shaped by ambition, betrayal, and the dangerous love of men who fear the power of queens. She learns to read cyphers, to read hearts, and to stand unbroken even as her childhood is stripped from her piece by piece.

And when she finally sails for England armed with her mother’s lessons, her father’s steel, and the ghosts of the Alhambra at her back, Catalina steps into her fate not as a girl, but as a force.

A princess.

A survivor.

A daughter of Aragon.

Infidel is the story of a young woman raised for greatness and destined to reshape the fate of nations. This is Catalina, as she has never been seen before. She is fierce, vulnerable, and unforgettable.

A sweeping, intimate portrait of sisterhood, survival, and the making of a dynasty, Infidel reveals the hidden lives of a woman whose courage shaped the Tudor world.

Genre: Biographical Historical Fiction | Tudor Fiction | Historical Fiction
Pages: 268

Grab a copy HERE!
This novel is free to read with #KindleUnlimited subscription.

EXCERPT

Juana: 

Catalina had been waiting for weeks for Isabel’s return. She was certain that the moment our widowed sister stepped through the gates, our sister would be happy again. Over and over, she told me how Isabel would open her arms wide, how she would run into them and sit on her lap as she always had. Catalina spoke of nothing but Isabel’s laughter, her stories, her dancing, her love of sweetmeats and flowers, and how much she had missed her.

When Isabel finally arrived, she came riding sidesaddle on a humble donkey that clacked its hooves across the courtyard stones. The animal halted, but Isabel did not dismount at once. When she did, the breath caught in my throat.

She was veiled, her body swathed in black, moving slowly as though the very air weighed her down. Her hair was hidden. Her face was hidden. The joy was gone from her step.

The servants guided Isabel forward, their arms firm around her as if she might collapse. She did not look up. She did not greet us. She seemed smaller, thinner, her steps dragging. In her hands, she clutched a crucifix so tightly that Our Lord’s face must have imprinted itself into her skin.

Catalina cried out and tried to run to her, but I held her back. The picture she had carried in her head of Isabel laughing and of Isabel radiant, shattered in an instant. Isabel did not see us. She did not speak. She showed no joy at being home.

She passed beneath the archway, the veil trembling with her breath, and I saw only the shadow of my sister, hollowed by grief.

She wore the habit of a Poor Clare nun. And as I watched her move through the courtyard like a ghost, I thought, this is how sorrow must be lived.


oOo


Catalina:

We were herded into our parents’ bedchamber to greet Isabel. I clutched Juana’s hand, still halfbelieving the picture in my mind of the Isabel I had always known, sensible and smiling and glad to be home.

But the figure before us was draped in black. Cloth hung from her shoulders, her veil heavy, she was dressed like a nun.

Isabel did not look at us. As she lay on our parents’ bed, her face turned to the wall, I saw that her lovely hair was gone. Her cheeks were hollow, and her bones were sharp beneath her skin.

I edged closer, desperate to speak. ‘Isabel,’ I whispered, my voice small.

She stirred only slightly, a hand twitching against the sheet. No words came.

The candle beside her flickered, throwing long shadows across her wasted body. 

I stayed where I was, bewildered by all the tears for a prince none of us had ever met. The sister I remembered, the golden sister laughing and alive, was gone. In her place lay a new Isabel, silent, veiled, her sorrow filling the room as surely as smoke had filled our tent at Santa Fe.

I held out a single flower from the courtyard. It was bright, alive and fragile in my hand. Surely it would cheer her. She had always loved the smell of gardens, the soft brush of petals against her cheek.

I lifted the flower toward her. ‘Here,’ I whispered. ‘It is pretty. It will make you happy.’

She did not move. She turned her head further toward the wall, deeper into the dark.

The flower trembled in my hand. I thought of my grandmother, who everyone called mad, sitting alone in her shuttered chamber, refusing the sunlight. Isabel was the same now. She, too, was choosing darkness, choosing candlelight and choosing sorrow.

I placed the flower on the coverlet, close to her hand. ‘It is yours,’ I said, my voice breaking.

Isabel’s fingers did not even twitch. It was as if she, too, had died.

I stayed there, staring at the flower lying useless on the bed, knowing she would never reach out for me, never reach for happiness, and want only the dark.

I stood straighter, my fists tight at my sides. 

I thought of my grandmother, choosing the dark. Isabel had chosen it too.

But I would not.

I would keep the colour, keep the sweetness of my life, even if no one else wanted it and even if no one wanted my love.


oOo


Juana:

I sat at the foot of the bed, our mother’s letter open in my hands. Isabel lay pale against the pillows, her eyes fixed on nothing. The book of Job rested beside her on Mother’s finest coverlet, open but unread. She had no strength for anything but weeping and lamenting her miserable fate.

‘Mother is returning from Santa Fe to comfort you,’ I whispered.

Isabel’s response was razor sharp. ‘Only because she wants me to marry again. She will be furious that the Portuguese alliance has failed. She will send me elsewhere the moment she can find a treaty that suits her.’

‘She loves you and wants the best for you, Isabel,’ Catalina said, and there was an edge in her voice that startled me.

‘What would you know, Catalina? You are but a child.’

‘At least I am not unkind like you are,’ Catalina shot back.

Silence fell, heavy and brittle. Then Isabel whispered, ‘What would you know about love? I will not marry again. No one can make me. I will enter a convent.’

Catalina perched on her stool, her feet swinging, restless. ‘Read it to me,’ she demanded, chin lifted. ‘I am the Princess of Wales. I must know what happens in England.’

I smoothed the parchment, lowering my voice so as not to disturb Isabel. ‘Mother writes of a youth in Ireland. Do you know where that is?’

Catalina nodded solemnly, so I continued. ‘He is calling himself Richard, Duke of York. They say he looks like King Edward, and Margaret of Burgundy has taken him in, claiming she recognises him. His name is Perkin Warbeck.’

Catalina’s eyes widened. ‘So, there is another person claiming to be one of the boys who died in the Bloody Tower and a new claimant to the Tudor throne?’ she whispered, hungry for intrigue and quick for her age.

I folded the letter carefully, my movements slow, as if gentleness might shield Isabel from the weight of her pain. ‘Yes. And that is why he is dangerous. Every enemy of England will swear he has a genuine claim.’

‘Does he?’

‘I think the Queen of England would know her own brother as easily as we would recognise Juan.’

‘Has she seen him?’

‘No. But if she did, she would know.’

Catalina nodded with all the gravity of a lady of our mother’s age, though her feet still swung absently above the floor.



I’ve always been a writer, but it was only when illness forced me to stop everything that I finally had the time to write a novel. After decades of misdiagnosis, I learned I was born with a serious genetic condition, not rare, but profoundly misunderstood. The clues were there from birth, and suddenly, a lifetime of struggle made sense.

Writing became my lifeline: a way to step beyond my pain, to shape my experience into a story, and to find meaning where there had once been only endurance.

I have a lifelong love of children, Counselling, and Psychotherapy Theory and history.

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